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Short Film Review: Pathshala (The Inception of Pursuit, 2021) by Sauvik Pandit

Why are Hindus and Muslims different? They aren't.

Films that focus on didactism are not so common in cinema, since their basis makes them more appropriate for TV programs rather than the big screen. tries to change this, by coming up with a short that is both educational and cinematic.

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The narrative consists of a single father and his son, who is of school age, discussing about various topics, with the kid asking and the father replying as eloquently and concise as he can. Their discussions include religion and the reasons for the differences between Muslims and Hindus, chasing one's own dreams, kindness and compassion, art, history, the past and the present, and many other topics. In order to keep his son interested, the father uses various mediums in order to teach him, including poetry, allegoric stories and his own past.

This approach emerges as somewhat repetitive, moralistic and on the nose, with the acting not helping particularly in that regard, but on the other hand, the approach of the father in his teaching and the messases he communicates to his son are ideal, as the lessons against racism, about compassion and respect to the people around you are among those all parents should teach their children. At the same time, in combination with the patience, understanding and encouragement he shows, deem his ways another lesson, this time on proper parenthood.

Furthermore, the shitar music that is heard throughout, and most of all the impressive cinematography by Subir Roy, who highlights the rural beauties of the area in the most artful way, add the necessary cinematic values to the film, essentially elevating it above the educational program. In combination with Pandit's own editing, the 20 minute short is also induced with a tour-guide element, through the succession of many different locations, that also works quite well for the movie.

“The Inception of Pursuit” is essentially an educational film, but, at the same time, through the audiovisual artistry, so much more.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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