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Short Film Review: Stardust (2021) by Manahar Kumar

A kind word can go a long way

An anxious daughter battles with a deep loss of her father while on a flight. Thinking she is alone in her plight, she meets a young poet who shares some words of wisdom to help unburden her suffering. In the process, both learn some fundamental truths about their own journeys and difficulties that many families face during turbulent times.

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Arguably a motivational speech over an actual film, “Stardust” is a production which wears its heart on its sleeves to present a moral driven narrative. Aiming for an emotional response from the audience, the production treads a difficult path and ultimately comes up short. However, film is not a complete loss.

Essentially, audience engagement in the production rests on the ability to connect with the inspirational script that drives the film. Undeniably, this approach may resonate with those looking for guidance and a sense of meaning within what is (too many) difficult times. It would be disingenuous to fault anyone who finds solace in the script that deals with themes of loss in a sensitive and insightful matter. However, for those not seeking said guidance, the dialogue projects the depth of a hallmark card with awkwardly contrived similes' – i.e. “He is as close to you as your eyelashes”. Overall, the project's appeal will rest solely in how receptive the audience it to the message making all other attributes inconsequential.

However, the technical aspects of the films do still deserve a nod, as Akhil Deva's cinematography has a rather harmonious flow, interweaving flashbacks and visions into the dialogue to heighten the narrative. In addition, the actors do an admirable job of relating the need to express pain and find a deeper human connection – the transition from being strangers to having a profound connection does not feel forced. Ultimately, the short film does command a strong presence even if confined to two seats on a plane.

My own experience with “Stardust” was unfavorable to say the least, but I would not want to fault someone finding solace within. The work may resonate with others in a meaningful way, making it one of those experiences that is worth checking out and deciding on your own whether it is inspirational or useless fluff.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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