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All the Asian Submissions to the 94th Academy Awards for Best International Feature Film

November 28, 2021
Adriana Rosati
Asian Submissions to the 94th Academy Awards

Every year since its creation in 1956, the Academy of Motion Picture Arts and Sciences (AMPAS) invites the film industries of various countries to submit their best film for the Academy Award for Best International Feature Film. The award is presented annually by the Academy to a feature-length motion picture produced outside the United States that contains primarily non-English dialogue and that was released theatrically in their respective countries between 1 January 2021 and 31 December 2021. The shortlist of fifteen finalists is scheduled to be announced on 21 December 2021. The final five nominees are scheduled to be announced on 8 February 2022.

Here are the Asian Submissions for Best International Feature Film. There are some excellent movies in this bunch and we have seen and reviewed already some of them.

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ARMENIA
“Should the Wind Drop” by Nora Martirosyan

AZERBAIJAN
“The Island Within” by Ru Hasanov

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 BANGLADESH
“Rehana” by Abdullah Mohammad Saad

BHUTAN
“Lunana: A Yak in the Classroom“ by Pawo Choyning Dorji

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CAMBODIA
“White Building” by Kavich Neang

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CHINA
“Cliff Walkers” by Zhang Yimou

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GEORGIA
“Brighton” by Levan Koguashvili

HONG KONG
“Zero To Hero” by Jimmy Wan

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INDIA
“Pebbles” by P.S. Vinothraj

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INDONESIA
“Yuni” by Kamila Andini

 IRAN
“A Hero” by Asghar Farhadi

 IRAQ
“Europa” by Haider Rashid

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 ISRAEL
“Let It Be Morning” by Eran Kolirin

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 JAPAN
 “Drive My Car” by Ryusuke Hamaguchi

JORDAN
“Amira” by Mohamed Diab

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KAZAKHSTAN
“Yellow Cat” by Adilkhan Yerzhanov

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KYRGYSTAN
“Shambala” by Artykpai Suyundukov

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LEBANON
“Costa Brava, Lebanon” by Mounia Akl

MALAYSIA
“Hail, Driver!” by Muzzamer Rahman

PALESTINE
“The Stranger” by Ameer Fakher Eldin

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RUSSIA
“Unclenching the Fists“ by Kira Kovalenko

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SAUDI ARABIA
“The Tambour of Retribution” by Abdulaziz Alshlahei

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 SINGAPORE
“Precious Is the Night” by Wayne Peng

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 SOUTH KOREA
“Escape from Mogadishu” by Ryoo Seung-wan

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 TAIWAN
“The Falls” by Chung Mong-hong

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THAILAND
“The Medium” by Banjong Pisanthanakun

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TURKEY
“Commitment Hasan” by Semih Kaplanoğlu

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 UZBEKISTAN
“2000 Songs of Farida” by Yalkin Tuychiev

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VIETNAM
“Dad, I’m Sorry” by Trấn Thành

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Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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