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Short Film Review: Singlaris (2019) by Hadafi Raihan Karim

Simple yet entertaining short about better business practices and mysticism.

Ibu Ros is a middle-aged woman who sells spices at a traditional market whose sales are plummeting compared to others at the market. Entering a state of despair, she is approached by a man named Bejo who gives her the address of ‘the ancient one' who can give her the means to save her business. But how much of her newfound success is down to mystical intervention over good business practices?

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Presented as a story about a woman who needs to turn to a higher power to save her business, the short can just as easily be about proper manners and business practices. In fact, “Singlaris” carries a PSA vibe with a narrator focusing on the shortcomings of the woman and pointing out certain mannerisms as part of the reason for her business failure. This results in a production whose message is surface-level at best, but that does not mean it is not without its charms.

Visually, the production brings the busy streets of Indonesia to life while simultaneously conveying the isolation of Ibu Ros. This is heightened through editing which makes it seem as if an entire day passes without anyone acknowledging the downtrodden spice vendor. Consequently, the presentation evokes sympathy for Ibu Ros and a general want for her to see some success, even if just to escape the mundanity of her existence of standing in front of an empty shop.

As most of the story is told through either a narrator or through shadow figures, the performances are, more or less, unimportant to the film. However, seeing the transformation of Rosita Taringan as Ibu Ros from a discouraged shopkeep to an ecstatic, profitable businesswoman evokes heartwarming emotions. Furthermore, the voice-over work, which plays such a key role in the narrative, comes across as clear and confident. Essentially, while both performances don't add to the production, they could have just as easily wrecked it if mishandled.

There is certainly a lack of narrative depth in “Singlaris” and most viewers won't walk away with any greater understanding of director beyond his ability to craft an entertaining short. However, sometimes that is enough to make a project worth checking out and “Singlaris” has enough charm to warrant an audience.

About the author

Adam Symchuk

Adam Symchuk is a Canadian born freelance writer and editor who has been writing for Asian Movie Pulse since 2018. He is currently focused on covering manga, manhwa and light novels having reviewed hundreds of titles in the past two years.

His love of film came from horror and exploitation films from Japan that he devoured in his teens. His love of comics came from falling in love with the works of Shuzo Oshimi, Junji Ito, Hideshi Hino, and Inio Asano but has expanded to a general love of the medium and all its genres.

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