Media Partners News Udine Far East Film Festival

28 Titles From the FEFF Line-up Will Be Available In Streaming. Accreditations on Sale From Today.

After a completely digital edition (2020) and a hybrid one, shared between the streaming audience and the Visionary one (2021), this year the Far East Film Festival resumes its classical conformation and returns to the stage at the Teatro Nuovo. However, the online experience of the two previous FEFFs does not stop. On the contrary, it continues at full speed and becomes a stable section of the Festival.

Supported, as always, by MYmovies, the FEFF online will offer a selection of 28 titles from the 2022 line-up: 14 available Worldwide, 15 available in Europe and all 28, of course, available in Italy.

Three types of accreditation are already on sale on the platform HERE :
MYmovies One (€ 12.90: all films in the online section of FEFF 24, digital catalog of FEFF 24, all other festivals and the online films proposed by MYmovies for 30 days)
Web Snake (€ 12.90: all the films in the online section of the FEFF 24, digital catalog of the FEFF 24)
Web Dragon (€ 100: all the films in the online section of the FEFF 24, digital catalog of FEFF 24, paper catalog of FEFF 24 sent home after the event, mention in next year’s catalog as a supporter, free access for three months to the MYmovies One platform).

We remind you that the 28 films of the FEFF online will be active from 22 April and for the entire duration of the Festival (from the moment you make the first click, you will have 24 hours to finish the viewing). Only for 4 titles there is only the Gala Show: the film, that is, will be made available in one day and at a specific time (from the moment you click, you will have 4 hours available).

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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