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Short Film Review: Birdsaver Report Volume 2 (2021) by Choi Hee-hyun

"Please label the species"

Continuing in the style of the first report, Choi Hee-huyn creates another rather experimental short, focusing on the fact that wild birds continue to collide onto glass walls, and humans collect, measure, and analyze to prevent it, and juxtaposing it with the concept of reality, as examined through art, film and media.

As such, the film begins with a hand turning the pages of a manual about bird collision by the Ministry of Environment and National Institute of Ecology, while combining it with the concept of “Trompe-l’œil”, an art technique that uses realistic imagery to create the optical illusion that the depicted objects exist in three dimensions, which is what we are seeing on screen essentially. A new pair of hands, gloved this time, and a phone that shows the first hands coexist on the frame next, while the topic changes to realistic painting and the story of Zeuxis and Parhasius. Soon, we are “introduced” to a man in a costume with a bird head, while the narration starts focusing on the measuring of the size and determining the color of birds. Photographs, various classical paintings and music also become part of the narrative, which eventually seems to present a sequence of how birds could view the world, potentially.

presents a 12-minute short, which, despite its minimalism, is filled with different elements, in a style that includes notions of documentary, fiction (the bird man in particular) and experimental filmmaking, all of which are brought together through an approach that seems somewhat ironic, but is definitely amusing. The flowing of one different scene to the other works quite nicely here, inducing the film with a sense of speed that adds to the entertainment it offers, while the presence of the bird man works on multiple levels, as a surrealistic but quite unexpected and fun to watch element.

At the same time, the concept of imagery and particularly the effort of visual arts to capture reality is presented throughout the short, essentially justifying the overall visual approach, while raising an amusing question regarding the whether they reality humans perceived it through their eyes is the “real one” or the one birds perceive with theirs.

“Birdsaver Report Volume 2” is an interesting short that demands attention through its unique approach, although the combination of a style that points both towards an installation and a film, deem it a watch for a very specific audience.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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