Colorist Yov Moor talks about the path that led him to movies, the specifics of his work, the importance of the quality of image on cinema, working with Wang Bing, Pema Tseden, Ash Mayfair, Jero Yun and Le Bao among others, the differences of working in documentaries and black-and-white films, and many other topics.
Asian Movie Pulse Video Interviews: Panos Kotzathanasis talks to Yov Moor
You may also like
About the author
Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
