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Making Waves – Navigators of Hong Kong Cinema Showcase to kick off in London 8-10 July 2022

Making Waves – Navigators of Hong Kong Cinema, a touring programme to mark the 25th anniversary of the establishment of the Hong Kong Special Administrative Region (HKSAR), comes to London 8-10 July, bringing an exciting selection of new films and restored classics to the big screen. Also featuring a live holo-presence and an online virtual exhibition, the event is an evocative multimedia experience that takes audiences on a journey through contemporary Hong Kong cinema through a diverse range of genres and forms.

This celebration of Hong Kong cinema is presented by Create Hong Kong in partnership with Focus Hong Kong, and supported by the Hong Kong Economic and Trade Office, London, with a programme of 7 films at Soho Hotel and The Garden Cinema, including a very special live holo-presence event featuring legendary Hong Kong filmmaker in conversation and a gala screening of his beloved classic , in a restored version.

Making Waves showcases some of Hong Kong's most exciting and talented new and upcoming filmmakers, featuring the UK Premieres of , a spooky omnibus mixing urban ghost stories and dark satire directed by Fung Chih Chiang, Wesley Hoi and acclaimed veteran Fruit Chan, and , Mak Ho-pong's wild and whacky box office smash prison caper. Also included is the London Premiere of the sensitive and moving LGBTQ+ drama , directed byCandy Ng and Yeung Chiu-hoi, a lovingly nostalgic and bittersweet queer twist on the pure love youth romance genre.

The programme also gives audiences the chance to catch two of the best and most acclaimed Hong Kong films of recent years, with special screenings of Chan Kin-long's award-winning gritty neo-noir , a thrilling nod back to the classic HK genre films of the 1990s, and box office hit ANITA, chronicling the life of Anita Mui, one of Hong Kong's most cherished and enduring Goddesses of the screen and stage.

Anita Mui's life and work are also celebrated with the UK Premiere of a newly restored version of Ann Hui's 2002 classic JULY RHAPSODY, her final film before her tragic death in 2003. Widely regarded as one of the best works of modern Hong Kong cinema, the multiple award-winning film is a deeply affecting character-driven exploration of broken relationships, destructive yearning and lost dreams, drawing on Chinese poetry and with an impressive ensemble cast that also includes Jackie Cheung and Karena Lam.

As well asenjoying films on the big screen, Making Waves offers the chance to explore Hong Kong cinema through a virtual photographic exhibition, which runs 8-14 July, showcasing the works of four unit photographers, each telling a unique story in a different artistic dimension. Accessed online, the exhibition transports audiences to Hong Kong and takes them on a fascinating journey that explores iconic cinematic moments and goes behind the scenes on a wide range of productions, with filmmakers reflecting on the industry.

Hand Rolled Cigarette

Full Programme:

Friday 8 July
19:00 – Opening Gala: ANITA (Soho Hotel)

Saturday 9 July
12:00 – COMRADES, ALMOST A LOVE STORY + Peter Chan holo-presence (Soho Hotel)
16:30 – THE FIRST GIRL I LOVED (Garden Cinema)
19:00 – TALES FROM THE OCCULT (Garden Cinema)

Sunday 10 July
12:30 – HAND ROLLED CIGARETTE (Garden Cinema)
15:30 – BREAKOUT BROTHERS (Garden Cinema)
18:00 – Closing Gala: JULY RHAPSODY (Garden Cinema)

Tickets and more information HERE

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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