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A LOVE LETTER TO A VIBRANT HONG KONG IN WHERE THE WIND BLOWS

Film Analysis: Where the Wind Blows (2022) by Philip Yung
ASIAN CINEMA SUPERSTARS PAIR UP IN CRIME EPIC RELEASED IN CINEMAS THIS SEPTEMBER

25th August 2023, London UK – Director Philip Yung's eagerly-awaited WHERE THE WIND BLOWS, featuring two of Asian cinema's biggest stars, is released in UK cinemas from 29th September.

Philip Yung's long-awaited follow-up to the critically acclaimed Port of Call is an ambitious, genre-bending epic loosely based on the rise and fall of the notorious “Four Great Sergeants” in 1960s Hong Kong. The film centres on the friendship and rivalry between two resourceful police detectives, Lui Lok and Nam Kong, who forge dangerous alliances with organised crime.

This first onscreen pairing of superstars (Port of Call) and Tony Leung Chiu-wai (Infernal Affairs) also boasts a scene stealing performance from Hong Kong Cinema icon Michael Hui (Godspeed). Director Yung says, “filming my favourite actors and actresses was like I had travelled back in time to grow with the old dreamy, glamorous Hong Kong”.

As well as being a glorious, big budget love letter to Hong Kong, this is a film about ambition, honour and betrayal, combining the thrilling tension of Infernal Affairs with the power plays and intrigue of The Godfather. WHERE THE WIND BLOWS is a powerful, gripping glimpse into a city being torn apart by the very forces meant to keep it together.  

You can check the full review here

SYNOPSIS: The decades spanning story of two very different policemen who rise to power in Hong Kong during British rule, and end up at odds with both organised crime groups and the anti-corruption unit vowing to bring them down.

WHERE THE WIND BLOWS IS RELEASED IN CINEMAS ON 29 SEPTEMBER

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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