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Asian Movie Pulse Talks: Hirokazu Koreeda’s Monster

Panos Kotzathanasis, Rhythm Zaveri, Rouven Linnarz and Adriana Rosati talk about 's , and particularly the Cannes-awarded script, bullying, parents-children and teachers-students relationships, the acting, the issues with the film and where it lies in the director's filmography.


About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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