On the occasion of his film film, “Solids by the Seashore” screening at FICA Vesoul, Patiparn Boontarig talks to Panos Kotzathanasis about his work on Anatomy of Time and Manta Ray, the erosion of the beaches in Thailand, the literal and metaphorical walls around people, the LGBT element of the movie, casting and cinematography, and other topics.
Asian Movie Pulse Video Interviews: Patiparn Boontarig talks to Panos Kotzathanasis
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About the author
Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
