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Asian Films in the Official Cannes Selection

Cannes announced the official selection for this year, and the Asian representation is quite strong. India finds its way back to the main competition after 30 years, with “All We Imagine as Light” while Jia Zhangke returns with “Caught By The Tides” . Also of note is the presence of the first Saudi Arabian film in the official selection with “Norah”, which premiered last year in Red Sea. Here are all the entries we know of so far. More info will be added as we get closer to the festival.

All We Imagine as Light by Payal Kapadia (India)

Caught by the Tides by Jia Zhang-Ke (China)

Norah by Tawfik Alzaidi (Saudi Arabia)

Black Dog by Guan Hu (China)

My Sunshine by Hiroshi Okuyama (Japan)

Santosh by Sandhya Suri (India)

Viet and Nam by Truong Minh Quý (Vietnam)

She’s Got No Name by Peter Chan Ho-Sun

Twilight of the Warrior Walled In by Soi Cheang (Hong Kong)


I, the Executioner by Ryoo Seung Wan (S. Korea)

Rendez-vous Avec Pol Pot by Rithy Panh

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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