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Chinese box Office Sensation “YOLO” Opens the 26th Edition of Udine Far East Film Festival Tonight

The Opening Night on Wednesday 24 April will travel between China and South Korea with two international premieres. The task of opening the curtain will fall to ““, the film phenomenon with which (director and protagonist) literally smashed the box office! Then it will be the turn of “” by director , an irresistible action comedy that revolves around a single mother, unemployed and victim of a phishing scam.

Chosen by the FEFF as the inaugural title of the twenty-sixth edition, “YOLO” is an international festival premiere and tells two stories: one that develops in the plot and one which spread with great force outside the screen, becoming a source of inspiration for millions of Chinese. A story which brings a strong message into the spotlight: it is never too late to change your life. It is never too late to believe in yourself and to fully exercise your willpower, defeating the insecurities (or fears) that prevent us from flying.

Jia Ling, who is the director and protagonist of “YOLO“, put on 20 kilos and then dropped 50 (!) to interpret Le Ying's narrative arc with the greatest possible “authenticity”: a woman, cornered by daily bitterness, who finds a way of escape and redemption by putting on boxing gloves and getting into the ring. Everything is possible, Jia Ling reminds us, and the success of “YOLO” (based on Japanese ““, applauded at the FEFF in 2015) proves it: to make its way into the hearts of the Chinese, in addition to the film and the incredible skill of Jia Ling, was also the song You Only Live Once, written by Jia Ling herself.

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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