“After the mysterious disappearance of a countryside cop, the role is reassigned to Officer Daigo Agawa. He finds the remote village quaint, and he looks forward to an easygoing post among the warm and welcoming citizenry. Then… He gets a call. The body of a local grandmother has been found. The scene immediately sows doubt for the young policeman. A human bite mark has been left on the corpse, and any voiced suspicion of Agawa’s is met with a strange, sudden, and intense hostility. The scene immediately sows doubt for the young policeman. A human bite mark has been left on the corpse, and any voiced suspicion of Agawa’s is met with a strange, sudden, and intense hostility. Something dark is lurking under the idyllic facade of the charming mountain village. But can Officer Agawa spare himself and his family from it?” (Ablaze Publishing)
Gannibal

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Panos Kotzathanasis
Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.
Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.
Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.