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Gannibal

“After the mysterious disappearance of a countryside cop, the role is reassigned to Officer Daigo Agawa. He finds the remote village quaint, and he looks forward to an easygoing post among the warm and welcoming citizenry. Then… He gets a call. The body of a local grandmother has been found. The scene immediately sows doubt for the young policeman. A human bite mark has been left on the corpse, and any voiced suspicion of Agawa’s is met with a strange, sudden, and intense hostility. The scene immediately sows doubt for the young policeman. A human bite mark has been left on the corpse, and any voiced suspicion of Agawa’s is met with a strange, sudden, and intense hostility. Something dark is lurking under the idyllic facade of the charming mountain village. But can Officer Agawa spare himself and his family from it?” (Ablaze Publishing)

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About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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