Teetering on the edge of self annihilation, a young man tackles his demons through a drug induced nightmare. The dream brings him to an ocean shore, where he struggles to find a reason to exist. In his struggles, a moment of clarity manages to pull him back to reality and give him reason to go on and rediscover his purpose in life.
“Chokh (I See)” review is part of the Submit Your Film Initiative
Pratik Dey Chowdhury's short film “Chokh” takes a seemingly introspective look at facing one own's mortality and opting to bow out early. In approaching the social taboo, the dialogue free film (some text to push narrative) is able to confidently navigate raw emotions, particularly those associated with the most extreme form of self crisis. Consequently, the production taps into a more visceral reaction from the viewer in approaching a dire situation.
One of the key elements in capturing this state comes from a stunning visual and audio presentation, which can switch between horror and beauty to reflect the protagonist's reactions. As a result, the film's disorienting visuals and frenetic soundtrack serve it well, becoming integral in conveying the narrative.
While the narrative remains porously abstract in delivery, and thus difficult to comment heavily on, it contains a few strong defining moments. Notably, it ends on a statement that encapsulates the protagonist's struggle, something which he overcame but will carry with him going forward. Ultimately, It is a nice poetic way to close out the short and a strong confirmation for those able to connect with the imagery that preceded it.
“Chokh” acts as one of those experiences which can have a profound effect on the right viewer, as the sense of desperation may resonate with those who have found themselves caught up in moments of high emotions and internal struggles. Furthermore, the experimental approach to narrative and visuals acts to further draw out a cathartic reaction from the observer. This personal and experimental approach will undeniably leave some audiences behind who are unable to empathize. However, for those that will connect with the material, Pratik Dey Chowdhury's “Chokh” acts as a mini masterpiece for the disenfranchised (past or present).
