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Short Film Review: Deadly C (2020) by Ashish Bisht

What would you do if the virus invaded your house?

In the plethora of Quarantine Films we have reviewed during the pandemic, “” must be one of the weirdest, particularly in the way it tries to caution people about not following the instructions of the authorities regarding the pandemic.

Shot inside an apartment with a smartphone by himself, the narrative is set as a home invasion movie, for a sleeping victim who is woken up by a strange man pulling the sheets, before he places himself in the kitchen. With his terrifying appearance, courtesy of the various close ups, his intense, occasionally loud voice, and his sinister laugh, the “invader” proceeds on chastising his victim for not following the instructions of the authorities regarding personal hygiene and social distancing. “People who have not visited other neighborhoods now want to visit the whole world” he utters at some point, right before he is revealed as the personification of the virus himself. Yet eventually the one whose house was invaded finds the cure to scare the intruder off, in another message regarding the pandemic.

https://www.youtube.com/watch?v=SejqH5n5i0I&ab_channel=AsianMoviePulse

More like a recorded performance that an actual film, “Deadly C” has its good moment during the theatrics of Ashish Bisht, who truly manages to communicate a sense that something bad is going to happen. On the other hand, the short suffers when he tries to show that there is another person there, and by a technical glitch, that has two different subtitles on screen at the same time, hiding a large part of the action.

On the other hand, the messages are quite well communicated, with the virus also highlighting a fact rarely mentioned, of how useless are weapons and the armies of various countries against this disease.

Considering the limitation of the 5-minute short, the result is interesting to say the least, while Ashish Bisht seems to have a future as an actor. We will have to see more extensive samples of him to “judge” him as a director though.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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