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Short Film Review: Deadly C (2020) by Ashish Bisht

What would you do if the virus invaded your house?

In the plethora of Quarantine Films we have reviewed during the pandemic, “” must be one of the weirdest, particularly in the way it tries to caution people about not following the instructions of the authorities regarding the pandemic.

Shot inside an apartment with a smartphone by himself, the narrative is set as a home invasion movie, for a sleeping victim who is woken up by a strange man pulling the sheets, before he places himself in the kitchen. With his terrifying appearance, courtesy of the various close ups, his intense, occasionally loud voice, and his sinister laugh, the “invader” proceeds on chastising his victim for not following the instructions of the authorities regarding personal hygiene and social distancing. “People who have not visited other neighborhoods now want to visit the whole world” he utters at some point, right before he is revealed as the personification of the virus himself. Yet eventually the one whose house was invaded finds the cure to scare the intruder off, in another message regarding the pandemic.

More like a recorded performance that an actual film, “Deadly C” has its good moment during the theatrics of Ashish Bisht, who truly manages to communicate a sense that something bad is going to happen. On the other hand, the short suffers when he tries to show that there is another person there, and by a technical glitch, that has two different subtitles on screen at the same time, hiding a large part of the action.

On the other hand, the messages are quite well communicated, with the virus also highlighting a fact rarely mentioned, of how useless are weapons and the armies of various countries against this disease.

Considering the limitation of the 5-minute short, the result is interesting to say the least, while Ashish Bisht seems to have a future as an actor. We will have to see more extensive samples of him to “judge” him as a director though.

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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