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Vesoul International Asian Cinema Festival at the 75th Cannes Film Festival

Vesoul IFF Asian Cinema Team
In preparation for the 29th Vesoul International Asian Cinema Festival at the 75th Cannes Film Festival.

Going to more than a hundred pavilions or stands of producers or cultural institutions related to Asia, from the Near to the Far East, meeting the directors, actors, producers of the twenty films in selection from Korea, Japan, Philippines, India, Iran, Palestine, Turkey, Pakistan … such is the work carried out by our FICA team, led by Martine and Jean-Marc Thérouanne, Director and General Delegate. The latter were accompanied by Jules Gouillon (communication), Théo Mairot, Lise Gardoni, Géraldine Delay (reception of professionals), Maryne Bonifacio, Noé Samson, Marielle Goerig (reception of festival-goers), David Skinner (translator), Flavien Poncet (speaker) .

Before climbing the steps for the opening ceremony of the 75th Cannes Film Festival, they gathered in memory of Marc Haaz, technical director, who died tragically on July 30.

Park Chan-wook, Jean-Marc and Martine Therouanne

The main highlights were the meeting with Dominique Boutonnat, president of the CNC, with Park Chan-wook and Park Hae-il, director and lead male role in the Korean film “Decision to Leave” and especially the more than warm reunion with Japanese director Hirokazu Koreeda Palme d’or 2018 and Cyclo d’or 2012, and Song Kang-ho, Korean actor, after the screening of the film “Broker”.

The 29th Vesoul International Asian Cinema Festival will take place from February 28 to March 7, 2022.

Kore-eda Hirokazu and Martine Therouanne

About the author

Panos Kotzathanasis

My name is Panos Kotzathanasis and I am Greek. Being a fan of Asian cinema and especially of Chinese kung fu and Japanese samurai movies since I was a little kid, I cultivated that love during my adolescence, to extend to the whole of SE Asia.

Starting from my own blog in Greek, I then moved on to write for some of the major publications in Greece, and in a number of websites dealing with (Asian) cinema, such as Taste of Cinema, Hancinema, EasternKicks, Chinese Policy Institute, and of course, Asian Movie Pulse. in which I still continue to contribute.

In the beginning of 2017, I launched my own website, Asian Film Vault, which I merged in 2018 with Asian Movie Pulse, creating the most complete website about the Asian movie industry, as it deals with almost every country from East and South Asia, and definitely all genres.

You can follow me on Facebook and Twitter.

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