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Electric Shadows reveals first part of the Programme, with Tsai Ming-liang

In exactly two months' time, the second edition of will open at De Cinema in Antwerp. Starting today, the films to be screened between 29/9 and 2/10 will be gradually revealed.

Last year's festival ended with a screening of 's latest feature film Days (2020) and his work will return during the next edition. A program of his most recent shorts accentuates Tsai's continued focus on patient observation within small-scale projects.

The Night (2021) offers a look at street life in Hong Kong after the sun has set and the frenzy of the city Tsai calls the Pearl of the East has subsided. Local music played a vital role in the creation of this short. It did too for  (2021), in which Tsai films two performers: ‘Moon singer' Lee Pei-jing and actor Chang Feng.

Both shorts absorb the rhythm of their locations and the people inhabiting them. In  (2021), Tsai revisits his well-known Walker series at an exhibition at the Dune in Yilan, Taiwan, where the eight films featuring actor Lee Kang-sheng as a slow-paced monk were being shown. Their static shots of slow movements in a high-speed environment have become an embodiment of Tsai's aesthetical and philosophical approach.

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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