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Short Film Review: Temple of the Devilbuster (2020) by Wang I-fan

Paranoia. If I could use one word to describe this film, I do not think I could find a better one, for a movie that uses Buddhism as its base in order to present a frantic, ultra violent spectacle. Let us take things from the beginning though.

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The story revolves around a young man and a woman, both of which are completely bold. Despite the fact that the guy, Tai-bao is a true delinquent attacking anyone that comes his way and the girl A-Queen, the personification of the noble fighter, the two of them soon find their fates entangled when the former crashes a car on the latter. Eventually, it is revealed that both are the reincarnations of the Devil Star with their role being to take upon themselves the sins of others. As the two realize their connection, however, the police, the criminal underworld, and a sodomizing priest who seems to be the root of all evil are on their heels and violence is inevitable.

directs a film that emits raw energy from every frame, with the combination of the frantic editing, extreme music and violent action allowing the movie to function as a rather intense music video, in a style that frequently reminded me of Guy Richie’s tactics, particularly regarding the use of fast-forward and the overall pace. At the same time, the presentation of the police and Buddhism, as mirrored on the priest, induce the movie with a sense that lingers between the slapstick and the blasphemous, and also works wonders for the narrative.

The action scenes in the film are impressive, with the combination of uncanny speed, intense (neon) colors ,and the grotesque violence resulting in a true visual extravaganza, highlighting Wang’s direction and the cinematography in the best way.

as Tai-bao is a genuine mad dog who does not seem to stop anywhere, while is equally good as the more “logical” A-Queen.

Not much more to say, if you like exploitation, speed, intense colors and extreme violence in your film, look no further, “Temple of the Devilbuster” has it all.

About the author

Panos Kotzathanasis

Panagiotis (Panos) Kotzathanasis is a film critic and reviewer, specialized in Asian Cinema. He is the owner and administrator of Asian Movie Pulse, one of the biggest portals dealing with Asian cinema. He is a frequent writer in Hancinema, Taste of Cinema, and his texts can be found in a number of other publications including SIRP in Estonia, Film.sk in Slovakia, Asian Dialogue in the UK, Cinefil in Japan and Filmbuff in India.

Since 2019, he cooperates with Thessaloniki Cinematheque in Greece, curating various tributes to Asian cinema. He has participated, with video recordings and text, on a number of Asian movie releases, for Spectrum, Dekanalog and Error 4444. He has taken part as an expert on the Erasmus+ program, “Asian Cinema Education”, on the Asian Cinema Education International Journalism and Film Criticism Course.

Apart from a member of FIPRESCI and the Greek Cinema Critics Association, he is also a member of NETPAC, the Hellenic Film Academy and the Online Film Critics Association.

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