Lin Htet Aung talks to Panos Kotzathanasis about the reasons he started shooting experimental films, the symbolisms behind his movie, that unusual sex scene, the casting of Once Upon a Time There Was a Mom, Tsai Ming Liang, and other topics.
Asian Movie Pulse Video Interviews: Panos Kotzathanasis talks to Lin Htet Aung
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About the author
Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
