Other Reviews Reviews

Documentary Review: Umui – Guardians of Traditions (2022) by Daniel López

"To preserve tradition"

As we approach the start of 2023 and get a glimpse at the first titles in the festival's program, it becomes evident the programmers stick true to their concept of not only screening movies, but essentially showing audiences the various facets of Japanese culture. In the past, they have done so with features about the shifts in the job culture or indigenous tribes and their customs such as the Ainu, and ' “” follows in the same footsteps. The roughly 70-minute-long documentary focuses on the culture of Okinawa and the generations living on the island, especially highlighting their link to the traditions of the island and its people.

Umui – Guardians of Traditions is screening at Nippon Connection

In typical fashion of a documentary following a similar approach, the director presents the aforementioned topic from the perspective of various residents. Beginning with a gentleman who has been playing the sashin for most of his life to a young boy who came to be part of a traditional dance group after being impressed by a performance, “Umui” quite literally covers the generational gap, while also emphasizing how young and old communicate through tradition. As you follow the story of each person López has interviewed, you learn about the relevance of dance, art and music in their lives, and how they want this part of their culture to be preserved.

Apart from taking a closer look at these traditions and how people are connected to them, López seems to raise a question quite relevant in our times. With cultural narratives becoming extinct, there are very few left to preserve them and keep them alive, making the task of teaching the young generation even more vital, as cultural identity is directly linked to personal identity and growth, with the various people shown in the documentary being good examples to this idea.

“Umui – Guardians of Traditions” is an insightful documentary about the culture of Okinawa, the need for it to be preserved and its relevance to people. Daniel López takes his time following the lives of the people around him, observes the environment and has the right questions at the heart of his feature.

About the author

Rouven Linnarz

Ever since I watched Takeshi Kitano's "Hana-Bi" for the first time (and many times after that) I have been a cinephile. While much can be said about the technical aspects of film, coming from a small town in Germany, I cherish the notion of art showing its audience something which one does normally avoid, neglect or is unable to see for many different reasons. Often the stories told in films have helped me understand, discover and connect to something new which is a concept I would like to convey in the way I talk and write about films. Thus, I try to include some info on the background of each film as well as a short analysis (without spoilers, of course), an approach which should reflect the context of a work of art no matter what genre, director or cast. In the end, I hope to pass on my joy of watching film and talking about it.

Subscribe to Our Newsletter

>