On the occasion of his film, September 1923 screening at Busan International Film Festival, where it netted the New Currents Award, Tatsuya Mori talks with Panos Kotzathanasis about the transition from documentaries to fiction, the particular incident the movie is based on, Japanese society, the romance aspect of the movie, the casting, the Japanese movie industry, his future projects etc.
Asian Movie Pulse Video Interviews: Tatsuya Mori talks to Panos Kotzathanasis
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About the author
Adriana Rosati
On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"
