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Junta Yamaguchi’s Temporal Paradox Comedy “Beyond the Infinite Two Minutes” Debuts on VOD January 25

Following a wildly successful run on the global film festival circuit, Indiecan Entertainment has the North American premiere of 's acclaimed debut feature film . “Beyond the Infinite Two Minutes” made its North American premiere at Montreal's Fantasia International Film Festival, followed by a wildly successful UK premiere at London's Arrow Video FrightFest and a US Premiere at Austin's Fantastic Fest. The time-warped workplace comedy will be available on a number of digital and cable platforms, including iTunes, Amazon, VUDU, iNDemand and DISH, beginning January 25th.

“Beyond the Infinite Two Minutes” had its world premiere at Brussels International Fantastic Film Festival, beginning a global tour of critical and audience acclaim. The film has taken home several awards to date including White Raven and the Critics Award at BIFFF, Best Director and the Audience Award for Best Feature at Fantaspoa, the NETPAC Award at BIFAN, the Golden Bat for Best Film at Fantafestival and the Nippon Visions Audience Award for Best Director at the Nippon Connection Japanese Film Festival. The film most recently took home a Jury Award for Outstanding Achievement in Filmmaking and the Gold Audience Award for Best Asian Film at Fantasia.

Since the world premiere at Brussels International Fantastic Film Festival, Beyond the Infinite Two Minutes has been praised by critics. Comic Book Resources hailed “Beyond the Infinite Two Minutes cost next to nothing compared to the megabudget Tenet, yet it manages to be equally inventive in its portrayal of time travel and far more entertaining to watch” while Cultured Vultures called the film “intricate and wonderfully creative” and “a dazzling sci-fi gem”.

“Beyond the Infinite Two Minutes” was produced by Kazuchika Yoshida and Takahiro Otsuki, with Junta Yamaguchi directing from a script by Makoto Ueda.

About the author

Adriana Rosati

On paper I am an Italian living in London, in reality I was born and bread in a popcorn bucket. I've loved cinema since I was a little child and I’ve always had a passion and interest for Asian (especially Japanese) pop culture, food and traditions, but on the cinema side, my big, first love is Hong Kong Cinema. Then - by a sort of osmosis - I have expanded my love and appreciation to the cinematography of other Asian countries. I like action, heroic bloodshed, wu-xia, Shaw Bros (even if it’s not my specialty), Anime, and also more auteur-ish movies. Anything that is good, really, but I am allergic to rom-com (unless it’s a HK rom-com, possibly featuring Andy Lau in his 20s)"

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